Similar to a single musical note being the basis for complex melodies, these sculptural moments embody simple gestures or small equations of how all objects appear as they do.

Utilizing line, mass, surface, and shadow, as well as placement within a particular room or space, I strive to discover a synergy in the object. When a zenith of sculptural elements is reached the sculpture visually hums.

In this manner perceptual principles as well as material form are recognized players in the hierarchy of my sculptural meaning-making.

These works find objecthood in the way color usually finds emotion.